The Ultimate Audio Workstation

In digital audio more is always better. A high resolution mix at 24 bits yields 256 times more resolution than 16 bit DATs. Combine this with 96 Khz sample rates for the smooth, open high end previously found only in the finest analog recordings. Many plug ins and standalones can work with 24 and 32 bits, but only the latest Sonic Solutions SonicStudioHD Workstation processes with 48 bit fixed point precision from input to output.

Digital Systems:

• Sonic Solutions SSP Workstation
• Sonic Solutions HDSP 96/24 Workstation
• Digidesign/Waves Gold Multirack System
• Waves L2 Limiter
• Valley 704 Digital Dynamics Processor
• Otari DAT
• Tascam DAT
• Sony 1610

Features:

• 192/48, 96/24, Surround and DVD-V, DVD-A and SACD mastering system
• High Resolution 48 bit signal path
• High Density Interface
• Sony SuperBitMapping Technology
• Sonic TurboBitMapping Technology
• 48 Bit high resolution parametric EQ
• HD Plugin Technology

Analog... still the heavyweight mix down champ for professional major label projects. QCA's been doing analog right for over 40 years, and continues to expand your analog options with a purist signal path. Our custom built Wolfram Mastering Console and world class Sontec EQ, feed a variety of great sounding Analog-to-Digital conversion systems.

Analog Systems:

• Sontec EQ
• Aphex Dominator 2 Limiter
• MCI JH80 1/4" and 1/2" Mastering Player
• Wolfrum Custom Mastering Console

QCA's Dunlavy SC-IV speakers and matched monitoring system are set up in an open, listening room configuration to reveal problems near-field monitors and subwoofers hide. Your clients are spared embarrassing surprises by working in a carefully designed mastering suite equipped to handle whatever comes up. And treated to major label sound for their music.

Monitor Chain:

• Mytek Workstation 24 AD/DA
• Hafler P7000 Power Amplifier
• McIntosh 250 Power Amplifier
• Dunlavy SC-IVa Main Monitors
• KRK Krok Near Field Monitors
• Tannoy System 6 Near Field Monitors
• Fostex Near Field Subwoofer

• Analog 1/4" and 1/2" Reels (Dolby A and SR; DBX I)
• Analog Compact Cassette
• DAT
• ADAT (only Dual AES bit-splitting accepted)
• Audio CD/CD-R CD-ROM (SD 2, AIFF, Split or interleaved. WAV)

• DAT
• CD-R
• CD-ROM (SD2, AIFF, WAV in 16 or 24 bit, 44.1/48/88.2/96K) MP3 Delivery on CD, Zip, Jaz or email)